Archive for February, 2012

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Next UP on Design Matters…

Wednesday, February 29th, 2012

This Friday at 3pm, Debbie welcomes Jen Bekman to Design Matters!

Jen is a New York City gallerist, entrepreneur and writer. After building a successful internet career with companies including New York Online, Netscape, Disney and Meetup, Jen turned her internet experience and fresh perspective on to the art world. She is the founder of Jen Bekman Projects which encompasses three ventures: her eponymous gallery in NYC, Hey, Hot Shot!, a photography competition, and the pioneering e-commerce fine art print site, 20×200. 20×200’s launch was entirely bootstrapped, and it quickly grew into a profitable, million dollar business. Jen was named one of Forbes.com’s Top Ten Female Entrepreneurs to Watch, as well as Fast Company’s Most Influential Women in Technology.

Tune in at DesignObserver.com!

20×200: How To Frame Your Art from 20×200 on Vimeo.

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Drawing for Beginners

Monday, February 27th, 2012

“A couple of weeks ago, I was watching the movie Beginners, the amazing Mike Mills directed movie about an older man who comes out to his son after his wife of 40 years dies. Christopher Plummer stars and won a best supporting actor Oscar award last night for his work. If you haven’t seen it, I recommend it, it is an incredible movie. You can also see Mills’ blog about it here.

I was watching it on demand from the comfort of my home. The son, played by Ewan MacGregor, happens to be a graphic designer and illustrator in the movie and there are drawings featured through out the movie.

I got so inspired watching the film that about 5 or ten minutes into the movie, I grabbed a blank notebook and started drawing along to the movie. I did it live, in real time, no erasing or editing, as the movie was playing and didn’t stop until the movie was over. It was all done it one take.

By TOTAL COINCIDENCE, I finished the notebook as the movie ended. I drew one illustration per page, and it follows along the plot of the movie.

I asked Brent Taylor, (who photographs all my visual essays for Imprint) to videotape the actual page by page journey of the book, and we added the Beginners soundtrack to the little film.

I hope you like it.” –Debbie

>>Click through to watch the video

(we recommend you watch it in full screen)

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Sterling Buzz…

Thursday, February 23rd, 2012

This week, Debbie visited the prestigious Rotman School of Management at the University of Toronto, to talk about Brand Thinking.

Check out this great excerpt below!

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Next UP on Design Matters…

Thursday, February 23rd, 2012

This Friday on Design Matters, Debbie welcomes Karl Heiselman, CEO of Wolff Olins!

Karl is the driving force behind the company’s ambition for clients and optimism for the world, and he has helped create game-changing work for Wolff Olin’s clients including (RED), Skype, GE, Unicef, New York City and Mercedes-Benz. Before that, he was stationed at Swatch and directed four 60-piece collections which were credited with revitalizing the brand around the world.

Find out what he’s up to next! Tune in Friday at 3pm at Design Observer!

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Next UP on Design Matters…

Thursday, February 16th, 2012

This weekend Debbie welcomes architect James Biber! James’ work centers on a belief that architecture as an expression of identity is inseparable from its language of form and tectonics.

Tune in to join the conversation! Friday at 3pm at Design Observer.

Portrait: James Biber (01/23/12) from Andrew Bordwin on Vimeo.

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Be Still My Bleeding Heart

Tuesday, February 14th, 2012

Debbie’s latest visual essay is now UP on Imprint:

Be Still

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Sterling Buzz…

Tuesday, February 14th, 2012

Take a tour through Sterling’s new SoHo offices! Check out this great new feature put together by The Dieline on their latest visit to NYC:

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>>onward to the Dieline!

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Next UP on Design Matters…

Friday, February 10th, 2012

On today’s episode of Design Matters, Debbie welcomes Cheryl Heller, the force behind the powerful idea of communication design.

Cheryl believes that communication design has a vital role to play in the creation of a sustainable future, and is determined to prove it. She has been profiled through articles in the New York Times, Boston Globe, BusinessWeek, Graphis Magazine, and Communication Arts, and is the recipient of countless awards from national and international creative competitions. Her work is included in the Library of Congress permanent collection, and has been published in numerous books on design and creativity.

Tune in today, at 3pm over at Design Observer.

Heller_Design

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The Modern Merchants of Misery

Thursday, February 9th, 2012

After having read the reaction to last week’s good news on the unemployment front, I think that this damning description has to be laid at the feet of the media industry. Now I know that bad news sells and that half-truths are often more compelling than the full truth but over recent months, I just sense this almost primal attraction by journalists to finding the bad news, at any cost. It’s as if they have lost the appetite or even the courage to report on the good news.

The current economic news in America is a great example. Here is a summary of some of the current trends:

We are through the recession

Things are looking better, although it’s still tough for many

Domestic manufacturing continues to rise

Unemployment levels continue to go down

There are lots of positive signs from domestic energy initiatives

Consumer confidence is returning

Companies have lots of cash

GM is once again the world’s biggest car maker

By any reasonable standard, this sounds as if things are definitely heading in the right direction. So why isn’t that message being delivered?

In business at the moment, everyone I talk to is feeling more optimistic generally about the future. Year on year growth is real and confidence is returning to many levels of industry. Now of course things can implode and the threat from Europe’s crisis should be borne in mind, but it hasn’t imploded yet so why is this optimism, felt by business leaders of all types, not reflected in the media? Strange?

Reading various news sources last Friday in advance of the January unemployment figures gave a fairly consistent prognosis, with “stagnant unemployment” being the most common prediction. No one even appeared to give thought to an improving situation.

Following the release of the data showing that 236,000 new jobs had been created in January, the immediate response from most news sources was positive, SO…

What on earth is driving this almost magnetic attraction by the media to the pessimistic, to the glass half empty? And on this point I am completely mystified.

Is it because they, the media, know something that we, in business don’t know? I don’t think so.

Is it to cover their media backsides in the event that things do deteriorate again – the “I told you so” syndrome? Maybe.

Is it because they have been reporting on the recession for so long, that they have missed the fact that it ended? This can’t be the case – these media folk are smart.

Is it some weird political infection that’s coloring journalistic thinking? And the answer is– no more than usual!!

I see this disconnect in interpretation between the business world and the media world as obviously a problem and it has a potentially huge psychological impact on the nation’s progress. I am not for a moment suggesting candy coating the situation but the media, by taking a pessimistic direction, is doing the country a disservice. We all know confidence begets confidence and this is exactly the time when we need to feel good and positive about the future.

I just wish those media folks would understand that their fascination and obsession about finding the bad is at risk of making them all look increasingly out of touch with reality.

Here’s to a brighter and rosier 2012 – brought to you from the world of business.

Simon Williams

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Wild Turkey Gets Another Big Win!

Wednesday, February 8th, 2012

We’re proud to announce that Sterling Brands is a winner in the HOW International Design Awards Competition.

Our redesign for Wild Turkey was selected among many other prestigious brands of merit– big thanks go out to our Creative Director, Simon Lince and our Designers- Andrew Markle, Carl Gerhards and Meg Eaton who worked so hard to bring this design together.

We’re anticipating many more for this big bird! Stay tuned.
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Look for Sterling’s design in the latest edition of HOW Magazine: howdesign.com